Search Result for Genre ELECTRONIC
viewing 1 To 25 of 35061 items
Next >>
|
|
|
|
|
|
|
|
|
|
LP
|
|
RWRR 001LP
|
$29.50
PREORDER
RELEASE DATE: 6/6/2025
Simon Herody put together a live solo performance sequencing electronic devices on stage for him to jam over with acoustic instruments. He played a lot in hotels and lobbies. The music had to be present but not too intrusive. Subtle electronics to guide his saxophone and flute playing. The setup proved successful and inspired him to compose the works that would become Hard Lounge. "At the same time, I was working at a bar/record store in Neukölln called Motif. Everything changed when I discovered the album Heisei No Oto - Japanese Left-field Pop From The CD Age. I remember this guy, Jamie, who would sometimes bring new releases to the shop. This album really changed things for me; I was constantly playing it and it inspired the creation of these works tremendously. The composition process for Hard Lounge was pretty unclear. I never really made conscious choices; I wanted to escape the conflicts that come with picking the right chords. I aimed to create music that transports your imagination to a sort of retro '80s jazz lounge, where people feel comfortable and at ease just sitting and listening. I wanted to act like a music designer, giving people a chance to listen without demanding too much of their attention."
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
HEIST 003LP
|
$29.50
PREORDER
RELEASE DATE: 5/30/2025
This new album sees the acclaimed duo Dam Swindle dive far beyond the deep sonic waters they're most known for, exploring lower tempos, synthwave, hip-house, and ambient across fourteen tracks. With a gestation period that traces back several years, Open is their most intimate and personal body of work thus far, birthed during a time of self-reflection away from touring and personal transformation as individuals. While the trademark Dam Swindle four-to-the-floor beats are still ever-present on tracks like "The Present Is Always Perfect," "I Need You," and "Is This Love?," it's the gentle waves of synths on opener "Home," the contemplative piano chords of "Bloom" featuring Joep Beving, and the lo-fi ambience of "It's Okay, I Can Wait" that showcase a melancholic, ethereal sensibility previously uncharted by the duo. Collaborations with vocalists such as NYC's Haile Supreme on "Not Enough" and Neo-soul singer Faye Meana on "Girl" expertly find room in between the dancefloor and home listening sessions, and a clear standout on the LP is the title cut where message-heavy rapped vocals from UK artist Samson ebb and flow amongst iridescent grooves. Under the helm of Maarten and Lars' adept A&R, their Heist imprint has become a beloved home for house heads of both schools old and new, platforming some of dance music's biggest names from Cinthie to DJ Sneak as well as the musical dawnings of artists such as Kassian and Makèz. The Dam Swindle alias has achieved house music royalty-like status across a storied 15-year career that includes two critically lauded full-lengths, collaborations with the likes of Tom Misch and Kerri Chandler, and a globetrotting touring schedule. This album stands as their most profoundly personal work of art to date, and they can't wait to share it with you.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
BB 473CD
|
$16.50
PREORDER
RELEASE DATE: 5/30/2025
Genre-resistant Berlin duo Neuzeitliche Bodenbeläge return to Bureau B with Neue Kreise, a sharp sophomore LP that shakes a cocktail of musical influences into an irresistible blend of smooth, synthetic pop. If their 2020 debut Der Große Preis saw the N(ewer)DW angst of their early releases give way to bubbling boogie and kosmische funk, this 11-track outing dives headfirst into the deep blues and sunset hues of yacht rock and groove-laden jazz fusion, all while retaining their signature lyrical bite. Finding its final form in nocturnal sessions in fall and winter 2024 -- with off-seasons spent, as always, experimenting in a secluded hotel at Lake Constance -- Neue Kreise ("New Circles") sees Niklas Wandt and Joshua Gottmanns tracing fault lines from childhood torment to contemporary crisis, ultimately offering a cautious hope for healing. Themes of male bonding and bullying, suburban claustrophobia, and family tension manifest in tracks like "Bittere Gifte" and "Jahr Um Jahr," as the duo exorcise their demons over infectious electro-funk and space-age samba respectively. Sonically, this diverse disc showcases a broad spectrum of musical influences, drawing from the obscure German/Austrian records curated by their ever-present producer Ali Europa, alongside John Martyn's late '70s/early '80s era, the skyscraping synth-pop of New Musik, and the tropical jazz of Azymuth. Wandt and Gottmanns wear their influences proudly while retaining all the invention and irreverence which has been a mainstay of their work, packing their personality into every track. The tension peaks in "Bittere Gifte," where stomping '80s machine-funk and psychedelic fusion breakdowns soundtrack a lyrical descent into suburban despair. Elsewhere, "Korsett Der Form" sparks infectious synth-pop joy, while "Nachlass Zu Lebzeiten" harnesses pure jazz-fusion power, complete with shuffling percussion and soaring guitar solos. "Blei" sweeps in with MTV-era widescreen pop, all windblown new-wave grandeur, while "Kalte Asche Und Orchideen" rides a fizzing punk-funk groove. The dreamlike "Puma" sways in a lullaby-like waltz, its jazzy cymbals and hypnotic bass drifting effortlessly, before cinematic closer "Landung" brings listeners back to earth. Fretless bass, chime-like synths, and tropical-tinged drum machines find a magical middle ground between Jamaican John Martyn and an impossibly happy version of The Cure. Across its 11 tracks, Neue Kreise expands and refines Neuzeitliche Bodenbeläge's sound, propelling them into new circles, new spheres, and new sonic territory.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
DC 947LP
|
$23.00
PREORDER
RELEASE DATE: 5/30/2025
"Drag City and Yoga Records return to the music of Matthew Young. Following Recurring Dreams (1981, reissued 2014) and Traveler's Advisory (1986, reissued 2010), Undercurrents (2025) collects eight oddly dissimilar pieces that somehow fit together perfectly. Although unique enough to be called outsider, Young's new album occupies a musical world accessible to fans of many genres. Matthew Young, born in 1950, grew up in Lawrenceville, New Jersey. When he showed early musical interest, his parents bought an upright piano, and Matthew began taking lessons. In his teens, he attended concerts by Duke Ellington, Dave Brubeck, and Count Basie, and grew up to discover iconoclasts such as Eric Satie, Charles Ives, John Cage, Harry Partch, Brian Eno, and experimental rock groups such as Can and Harmonia. He also regularly attended and played at folk music gatherings in the nearby New Jersey Pine Barrens. His music began to appear in local theater productions, leading to the 1981 release of Recurring Dreams, through New York distributor NMDS. Later, Young became obsessed with the hammered dulcimer, and in 1986 he released a new album, Traveler's Advisory, which featured the instrument prominently, along with electronics, tape effects, and his first foray into vocals. Composed and recorded over the span of several decades, Undercurrents displays the wide range of Young's various sonic pallets. On the opener 'Reflexion,' a quartet of marimbas twist and turn over each other, while in 'One and All,' a harp melody is overtaken by various electronic effects. The 12-minute title track is an abstract weaving of piano and synthesis, with the six sections named after oceanic currents. 'A Game of Chess, a Game of Chance' consists of sparse electronic tones created on the Princeton University IBM mainframe during his studies in 1976. This all makes way for the second half of Undercurrents, where settings of Marion Lineaweaver's poems, 'The Summer Girls' and 'Her Key is Minor,' showcase Young's honest, fragile vocal approach, conveying a deep sense of soulful longing, and the latter even sweetly approaching something akin to synthpop. The piano on 'Inflexion' calls back to the end of 'Reflexion,' and in the album closer, 'Into the Woods,' Young plays the hammered dulcimer with the disciplined reverence of an alchemist. Simply put, Undercurrents is a triumph across many musical realms."
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
YORE 057EP
|
$21.50
PREORDER
RELEASE DATE: 5/30/2025
Yore returns with an unusual one. This first EP by Ross Alexander is more-techy than what you would expect on Yore. However, it's still somewhere between the slim lines of house and techno -- more techno in a Detroit way. All four tracks are ready for your dancefloor -- so grab yours, as these very limited copies, will be gone in no time.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BB 473LP
|
$26.00
PREORDER
RELEASE DATE: 5/30/2025
LP version. Genre-resistant Berlin duo Neuzeitliche Bodenbeläge return to Bureau B with Neue Kreise, a sharp sophomore LP that shakes a cocktail of musical influences into an irresistible blend of smooth, synthetic pop. If their 2020 debut Der Große Preis saw the N(ewer)DW angst of their early releases give way to bubbling boogie and kosmische funk, this 11-track outing dives headfirst into the deep blues and sunset hues of yacht rock and groove-laden jazz fusion, all while retaining their signature lyrical bite. Finding its final form in nocturnal sessions in fall and winter 2024 -- with off-seasons spent, as always, experimenting in a secluded hotel at Lake Constance -- Neue Kreise ("New Circles") sees Niklas Wandt and Joshua Gottmanns tracing fault lines from childhood torment to contemporary crisis, ultimately offering a cautious hope for healing. Themes of male bonding and bullying, suburban claustrophobia, and family tension manifest in tracks like "Bittere Gifte" and "Jahr Um Jahr," as the duo exorcise their demons over infectious electro-funk and space-age samba respectively. Sonically, this diverse disc showcases a broad spectrum of musical influences, drawing from the obscure German/Austrian records curated by their ever-present producer Ali Europa, alongside John Martyn's late '70s/early '80s era, the skyscraping synth-pop of New Musik, and the tropical jazz of Azymuth. Wandt and Gottmanns wear their influences proudly while retaining all the invention and irreverence which has been a mainstay of their work, packing their personality into every track. The tension peaks in "Bittere Gifte," where stomping '80s machine-funk and psychedelic fusion breakdowns soundtrack a lyrical descent into suburban despair. Elsewhere, "Korsett Der Form" sparks infectious synth-pop joy, while "Nachlass Zu Lebzeiten" harnesses pure jazz-fusion power, complete with shuffling percussion and soaring guitar solos. "Blei" sweeps in with MTV-era widescreen pop, all windblown new-wave grandeur, while "Kalte Asche Und Orchideen" rides a fizzing punk-funk groove. The dreamlike "Puma" sways in a lullaby-like waltz, its jazzy cymbals and hypnotic bass drifting effortlessly, before cinematic closer "Landung" brings listeners back to earth. Fretless bass, chime-like synths, and tropical-tinged drum machines find a magical middle ground between Jamaican John Martyn and an impossibly happy version of The Cure. Across its 11 tracks, Neue Kreise expands and refines Neuzeitliche Bodenbeläge's sound, propelling them into new circles, new spheres, and new sonic territory.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
THRILL 631CD
|
$14.50
PREORDER
RELEASE DATE: 5/23/2025
"Emptyset, James Ginzburg and Paul Purgas, explore both spatial and physical properties of sound; specifically the perceptible boundaries between it and noise. They have produced installations for Tate Britain and the Architecture Foundation in London. Emptyset's new album Dissever continues their exploration of the histories of 20th century electronic sound and media. Dissever delves into the intertwined evolution of cosmic rock, minimalism and electronic music, viewed through their prospective dreams and overlapping technological ambitions. Premiered at Tate Modern as a live performance, Dissever was part of the exhibition Electric Dreams, a large-scale survey of the global history of art and technology. The resulting album is astoundingly sublime, rich with sonics that are as thrilling and immediate as they are singular and dense with complexity. The compositions across Dissever draw threads from pioneering production methods emerging in parallel across the late 1960s, considering the cross talk between these fields and their radical intentions to carve out the future from differing paths, traversing the mystical and modern, while incorporating elements of the transformative, hypnotic, expansive and transcendent to define new principles within sound. The arrangements, performed live and captured in single takes, emerged across a series of sessions at long term collaborator Mat Sampson's recording studio in Bristol. This process revisited early hardware, spatial and multitrack recording techniques to create a dynamic body of material that could look back to these foundational musical forms and converge them through the lens of a reimagined timeline, cultivating a transmission from 1969 to the present and a sensory bridge to the past."
"Emptyset are in a class by themselves when it comes to excavating brutality out of silence." --Pitchfork
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
LUV 049EP
|
$16.00
PREORDER
RELEASE DATE: 5/23/2025
Luv Shack Records serves up another irresistible batch of sonic treats with Disco Biscuits 6, blending sun-drenched disco vibes, hypnotic grooves, and deep-dive dancefloor goodness. Kicking things off, Das Komplex delivers the cheekily titled "Pajda Banana," a lush and sprawling jam brimming with cosmic textures and low-slung funk. Ubre Blanca follows with "Renzo," a synth-driven trip balancing cinematic tension with pure Italo heat. On the flip side, Gregory (AT) teams up with Alexander Wirth for "Peaks," a shimmering House excursion with soaring melodies and a pulse built for late-night euphoria. Closing out the pack, Kelton Prima's "Strawberry Cream" oozes with silky basslines and irresistible groove -- the perfect sugar rush for discerning selectors. From deep disco dreamscapes to peak-time party weapons, Disco Biscuits 6 has all the flavor you need.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
THRILL 631LP
|
$25.00
PREORDER
RELEASE DATE: 5/23/2025
LP version."Emptyset, James Ginzburg and Paul Purgas, explore both spatial and physical properties of sound; specifically the perceptible boundaries between it and noise. They have produced installations for Tate Britain and the Architecture Foundation in London. Emptyset's new album Dissever continues their exploration of the histories of 20th century electronic sound and media. Dissever delves into the intertwined evolution of cosmic rock, minimalism and electronic music, viewed through their prospective dreams and overlapping technological ambitions. Premiered at Tate Modern as a live performance, Dissever was part of the exhibition Electric Dreams, a large-scale survey of the global history of art and technology. The resulting album is astoundingly sublime, rich with sonics that are as thrilling and immediate as they are singular and dense with complexity. The compositions across Dissever draw threads from pioneering production methods emerging in parallel across the late 1960s, considering the cross talk between these fields and their radical intentions to carve out the future from differing paths, traversing the mystical and modern, while incorporating elements of the transformative, hypnotic, expansive and transcendent to define new principles within sound. The arrangements, performed live and captured in single takes, emerged across a series of sessions at long term collaborator Mat Sampson's recording studio in Bristol. This process revisited early hardware, spatial and multitrack recording techniques to create a dynamic body of material that could look back to these foundational musical forms and converge them through the lens of a reimagined timeline, cultivating a transmission from 1969 to the present and a sensory bridge to the past."
"Emptyset are in a class by themselves when it comes to excavating brutality out of silence." --Pitchfork
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
THRILL 631X-LP
|
$27.00
PREORDER
RELEASE DATE: 5/23/2025
LP version. Blue color vinyl. "Emptyset, James Ginzburg and Paul Purgas, explore both spatial and physical properties of sound; specifically the perceptible boundaries between it and noise. They have produced installations for Tate Britain and the Architecture Foundation in London. Emptyset's new album Dissever continues their exploration of the histories of 20th century electronic sound and media. Dissever delves into the intertwined evolution of cosmic rock, minimalism and electronic music, viewed through their prospective dreams and overlapping technological ambitions. Premiered at Tate Modern as a live performance, Dissever was part of the exhibition Electric Dreams, a large-scale survey of the global history of art and technology. The resulting album is astoundingly sublime, rich with sonics that are as thrilling and immediate as they are singular and dense with complexity. The compositions across Dissever draw threads from pioneering production methods emerging in parallel across the late 1960s, considering the cross talk between these fields and their radical intentions to carve out the future from differing paths, traversing the mystical and modern, while incorporating elements of the transformative, hypnotic, expansive and transcendent to define new principles within sound. The arrangements, performed live and captured in single takes, emerged across a series of sessions at long term collaborator Mat Sampson's recording studio in Bristol. This process revisited early hardware, spatial and multitrack recording techniques to create a dynamic body of material that could look back to these foundational musical forms and converge them through the lens of a reimagined timeline, cultivating a transmission from 1969 to the present and a sensory bridge to the past."
"Emptyset are in a class by themselves when it comes to excavating brutality out of silence." --Pitchfork
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
10"
|
|
SUPERST 2863EP
|
$17.50
PREORDER
RELEASE DATE: 5/16/2025
Energy 52's "Café Del Mar" is one of the most iconic tracks in dance music. Over the years, "Café Del Mar" has achieved legendary status, regularly featuring in lists of the greatest dance tracks of all time. To put it simply, "Café Del Mar" is a cultural phenomenon, encapsulating the spirit of an era and influencing generations of artists and fans alike. This 10" release includes the new remixes from UK producer Amirali and Latvian DJ REZarin.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
LIVITY 067EP
|
$21.50
PREORDER
RELEASE DATE: 5/16/2025
Drawing a line under his Pulse series, Pev brings a fifth and final dose of positivity to the dance with a distinctly techno-oriented focus and space for the odd curveball. Strident opener "Pulse XVII" bookends a lean, subtly stepped mid-section workout with pearlescent synth strings and chord stabs patched in for maximum Motor City uplift. "Pulse XVIII" operates within a taut house framework, stirring up a forthright jack track with the sparsest of ingredients drawn from the palette of bassweight 4/4 that has run throughout the Pulse series. The tempo noticeably nudges up on "Pulse XIX" -- a nagging dub techno variation where the genre's usual blown-out dreaminess is replaced with snappy urgency. That leaves it to "Pulse XX" to close the series out with a sharp left turn towards light-footed leftfield steppers gear with alien hooks -- an approach that harks back to earlier Pev output, but given a fresh lick with the bright-eyed production that has informed his latest phase of studio exploration. Livity Sound is a label set up by Peverelist in 2011 as a vehicle for a raw and exploratory strain of UK techno, rooted in the heritage of UK dance music and sound system culture. It has since become one of the UK's foremost protagonists for cutting edge underground electronic music.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
PCD 012LP
|
$27.00
PREORDER
RELEASE DATE: 5/16/2025
Long, long overdue reissue of this gem from the depths of The Skaters dreamweaving dimension, released as a limited tape through Spencer Clark's Pacific City imprint back in 2008. Comprising a period of extreme and vital activity for both Clark as Monopoly Child Star Searchers and Black Joker and his kindred spirit James Ferraro under his own name and a myriad of identities like Liquid Metal or Edward Flex, this split finds these intrepid explorers on each side of a scrying mirror. Conjuring the Angel Snake entity as a vessel for unlocking the unconscious, Ferraro takes up the A-side with hypnotic wooden percussion sustaining queasy tape processed keyboard lines that intertwine amidst a growing haze of hiss. About halfway through the digression an announcer boombox voice cuts up the scenery for a serpentine dance around the discarded remnants of civilizations past and future. Clark's Monopoly Child rides a beaming synth and muffled percussion accents on his trademarked keyboard thrills, all ascending and descending runs brimming on the horizon, not quite here, not quite out of reach, fading out to a galloping murk smeared by hallucinatory flute-like sounds and portamento accents that float in harmonic suspension. Truly visionary and arresting stuff from these true purveyors of the netherworld, due to be rediscovered in these times of poor half-reassessments of the given past. It was never a dream, it was always a dream.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
BB 480CD
|
$16.50
PREORDER
RELEASE DATE: 5/16/2025
Hamburg's kosmische custodians at Bureau B welcome legendary synth maestro Peter Baumann back into the studio for his first solo album since Machines Of Desire (BB 234CD, 2016). A defining force in the Berlin School of electronic music, both as a member of Tangerine Dream in their most essential era, and as a solo artist, Baumann has always bridged the cerebral and the cinematic. With Nightfall, he embarks on another sonic odyssey, crafting an atmospheric album steeped in mystery and evocative storytelling. "Baumann's artistic vision has long been shaped by his exploration of the human condition. From his pioneering work with Tangerine Dream to his influential New Age imprint, Private Music, and his philosophical pursuits through the Baumann Foundation, his creativity and curiosity remain undiminished. Nightfall is the latest chapter in his five-decade journey -- an deeply emotional album that embraces impermanence to transport the listener into a series of shapeshifting soundscapes? The misty melancholia of opener 'No One Knows' pairs hypnotic woodblock rhythms with desert guitars, while 'Lost In A Pale Blue Sky' floats through celestial choirs and rolling timpani, evoking dreamlike introspection. Elsewhere, 'On The Long Road' pulses with insect-like percussion and serrated synth tones, exuding a ritualistic energy. Tracks like 'A World Apart' and 'From A Far Land' build tension through cascading melodies and rhythmic precision, evoking distant horizons and uncharted territories. 'Sailing Past Midnight' melds bass mallets with feedback-laden synths, conjuring a sense of movement and urgency, while 'I'm Sitting Here, Just For A While' layers snaking saxophones and hand percussion into a mystical, arcane soundscape. The album closes with the title track, 'Nightfall,' a deeply atmospheric piece wrapped in choral textures and shadowy undertones? From the very beginnings of his career, Peter Baumann has infused his work with a sense of the beyond and Nightfall is no exception. Each track invites the listener to interpret, to feel, and to immerse themselves in its crepuscular beauty? With Nightfall, the composer has created a shimmering doorway, just waiting for you to step through." --Patrick Ryder
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BB 480LP
|
$26.00
PREORDER
RELEASE DATE: 5/16/2025
LP version. Hamburg's kosmische custodians at Bureau B welcome legendary synth maestro Peter Baumann back into the studio for his first solo album since Machines Of Desire (BB 234CD, 2016). A defining force in the Berlin School of electronic music, both as a member of Tangerine Dream in their most essential era, and as a solo artist, Baumann has always bridged the cerebral and the cinematic. With Nightfall, he embarks on another sonic odyssey, crafting an atmospheric album steeped in mystery and evocative storytelling. "Baumann's artistic vision has long been shaped by his exploration of the human condition. From his pioneering work with Tangerine Dream to his influential New Age imprint, Private Music, and his philosophical pursuits through the Baumann Foundation, his creativity and curiosity remain undiminished. Nightfall is the latest chapter in his five-decade journey -- an deeply emotional album that embraces impermanence to transport the listener into a series of shapeshifting soundscapes? The misty melancholia of opener 'No One Knows' pairs hypnotic woodblock rhythms with desert guitars, while 'Lost In A Pale Blue Sky' floats through celestial choirs and rolling timpani, evoking dreamlike introspection. Elsewhere, 'On The Long Road' pulses with insect-like percussion and serrated synth tones, exuding a ritualistic energy. Tracks like 'A World Apart' and 'From A Far Land' build tension through cascading melodies and rhythmic precision, evoking distant horizons and uncharted territories. 'Sailing Past Midnight' melds bass mallets with feedback-laden synths, conjuring a sense of movement and urgency, while 'I'm Sitting Here, Just For A While' layers snaking saxophones and hand percussion into a mystical, arcane soundscape. The album closes with the title track, 'Nightfall,' a deeply atmospheric piece wrapped in choral textures and shadowy undertones? From the very beginnings of his career, Peter Baumann has infused his work with a sense of the beyond and Nightfall is no exception. Each track invites the listener to interpret, to feel, and to immerse themselves in its crepuscular beauty? With Nightfall, the composer has created a shimmering doorway, just waiting for you to step through." --Patrick Ryder
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
10"
|
|
KASM 004EP
|
$19.00
PREORDER
RELEASE DATE: 5/16/2025
Kohei Matsunaga, a musician and illustrator born in Osaka in 1978, started drawing at an early age and went on to study architecture at university. He has been actively making music since 1992, with notable releases on labels such as Raster Noton, Wordsound, Mille Plateaux, PAN and Skam Records. Kohei has collaborated with many artists, including Mika Vainio, Sensational from the Jungle Brothers, Sean Booth from Autechre, Conrad Schnitzler, Merzbow, Asmus Tietchens and many more.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
TSR 051LP
|
$33.00
PREORDER
RELEASE DATE: 5/16/2025
On June 13th 2024, Joakim, along with six guest musicians performed Terry Riley's renowned piece "In C" at a sold-out Philharmonie de Paris. This is the recording of their live performance. The guest musicians were Amosphere, Apollo Noir, Canblaster, Narumi Herisson, Joseph Schiano di Lombo, and Frederic Soulard. Each musician used their own synthesizers, creating a synthetic chamber orchestra that showcased the evolution of electronic musical instruments. This included Amosphere's Philicorda from 1967, Joakim's Arp2600 (first launched in 1971), and contemporary instruments like Narumi's Osmose from Expressive, along with Eurorack modular systems from Canblaster and Apollo Noir. The performers were arranged in a circle at ground level with Joakim in the center. Each musician had their own speaker, making it seem as if the sound originated from their instrument. This setup encouraged the audience to move around the circle, experiencing a variety of sounds based on their position. The result is a uniquely reimagined version of "In C" that is both purely electronic and organically rich. Despite the relatively small ensemble, the piece feels immensely full, occasionally leading listeners to believe they hear a flute or oboe interspersed throughout. Limited pressing of 300 copies in heavy cardboard sleeve with an insert. For fans of: Steve Reich, Terry Riley, Philipp Glass, Max Richter, Caterina Barbieri.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
LIH 048EP
|
$19.00
PREORDER
RELEASE DATE: 5/16/2025
Marcel Vogel and Tim Jules' discofunk tinged house groover "Just Because" written and performed by Detroit's Javonntte is finally being released as 12". Including remixes by Atlanta's producer of the moment, Stefan Ringer, who transforms the tune into a hypnotic, electronic R&B tune. Portland's own, dancer teacher, producer and DJ Floyd Vader gave "Just Because" an organic house feel reminiscent of Osunlade's Yoruba records. And Amsterdam's LYMA is taking the track into an electronic boogie territory.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
CREP 116LP
|
$27.00
PREORDER
RELEASE DATE: 5/9/2025
After a collage tape collab with Bardo Todol back in 2022 (Magnetic Road to Hell) Robert Millis finally gets his Discrepant debut proper, a much overdue entry in the label's wonderful catalogue of lost musical oddities. The not so self-explanatory title Interior Music explores Millis obsession with hidden sounds and its anomalies. A hermetic rearrangement of emptiness could be another more big-headed title. Millis says "The phrase interior music occurred to me a few years ago as a way to describe some recent work. It's about the resonances inside of hollow wooden chambers (and hollow heads) like gramophones and talking machines, music boxes, instruments, metal containers, and resonant rooms. It's about exploring tiny audio fragments -- single notes, vinyl and shellac surface noise, recording mishaps and anomalies -- and arranging them into something meaningful. It is about my own interior mishaps and anomalies and attempts to arrange THEM into something meaningful. It also references 'interior design' with the placement of sounds in specific locations, layers or in juxtapositions. Inspirations include Steve Roden's lowercase work, Toshiya Tsunoda's field recordings, Eliane Radique's slowly shifting ambiances, and the musique concrete of Pierre Schaeffer, as well as the dhrupad and kayal traditions of Indian classical music -- especially Kesarbai Kerkar and the Dagar family who have a sublime way of stretching out individual notes and exploring their endless permutations, combinations and connotations."
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
RM 4195CD
|
$17.50
PREORDER
RELEASE DATE: 5/9/2025
"Recorded in 1996, Merzbow's The Prosperity Of Vice, The Misfortune Of Virtue is one of a series of unique editions from his vast catalogue that reveals a side of his practice often under represented. During the late 1980s and into the 1990s, Masami Akita was sometimes working on film and theatre music. In this space he created a series of recordings that capture the full scope of his sound worlds. Given the nature of these settings, his compositional approaches were varied, seeking to create both intensely crushing walls of sound and more spatial, and at times rhythmic, pieces that plot out an approach to sound making which atomizes his universe of sound, and uncovered the singular detail that is often consumed in the whole. The Prosperity Of Vice, The Misfortune Of Virtue is the soundtrack to the theatre piece "Akutoku no Sakae/Bitoku no Fuko" by Romantica. Based on Marquis de Sades's Historie de Juliette ou les Prosperités du vice and Les Infortunes de la vertu, this recording was originally released with limited distribution and remains one of the lesser available Merzbow recordings. This edition is completely remastered and contains an additional cut from those original sessions. Cheers." --Lawrence English
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
EFFICIENT 043LP
|
$29.50
PREORDER
RELEASE DATE: 5/9/2025
Wilson Tanner return to dry land with Legends, a wine-soaked agricultural fantasy, made among the grapevines at Manon Farm in South Australia. Where their earlier works settled into the sun-struck torpor of a suburban Perth backyard (69) or drifted off-course on a riverboat on Port Phillip Bay (ii), Legends trades salt air for vineyard sweat, the scrape of boots on dry earth and workers' radios humming with the summer test cricket season. Through this agricultural haze an image of a working vineyard emerges -- ducks, dogs and plovers intrude; tractors and quads fly-by; stainless steel gleams at the edges. Recorded without mains power, the Manon demos overflow with farmyard ingenuity. Wind, brass, balalaika, balloon, pipe and synth are trained onto the staff with wire, tape and string. A caricature of Australian viticulture, Legends is packed to the horns with the mythology and manure of natural wine. Swigging and belching in camaraderie, Wilson Tanner press their surroundings into something raw and unfiltered, letting bum notes, leftovers and sediment linger in the bottle. A cornucopia of biodynamic sounds.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
QUI 019LP
|
$29.50
PREORDER
RELEASE DATE: 5/9/2025
Emerging from the Minneapolis underground and heading straight towards the sky, IE arrive on Quindi with a full-length album of sparkling, sophisticated wonder. Touching on kosmische grandeur, Riley-esque cyclical patterns, lounge pop and dubbed out psychedelia, the five-piece allow their songs to unfurl with a natural, hypnotic elegance which can take many different forms. There's a loose, live quality to the recordings IE's members commit to record, which reflects their steady presence gigging in Minneapolis and the surrounding area. Since putting out their first release in 2016, they've glided from drone and synth-led jam band ambience (2018's Pome) to strung out, stoner-tinted slowcore (on 2023's outstanding Junk Body). For Reverse Earth they strike a smoky note that wraps itself around your skull across extended run times that evolve with a meditative poise. From the deceptively driving 4/4 thrum of the opening title track through "Divination Bag"'s snaking tryptamine mantras on to "Simplify"'s slow and smoldering indie-soul, IE's sound is bathed in a sumptuous warm glow that rounds out the lows and the mids, creating a nocturnal shroud in which their nebulous song structures can feel deliciously endless. Meredith Gill's drums provide rolling and tumbling undercurrents for the slowly shifting phases of the instrumental players, as Michael Gallope and Travis Workman trade keyboard parts and Workman and Sam Molstad chop and pick at their six-strings. Atop the thrum of her bass, Mariel Oliviera's vocal adapts to the scenery, from a distant, dreamlike siren song on "Reverse Earth" to a spoken word meditation on "Babel." There's space in each track for every instrument to cut through and have its moment, from a spiraling key vamp to a chicken-scratch guitar flex. The gently twisting, head-feeding groove exercises of the first four tracks give way to a slow and powerful march on "Dark Rome," closing the record on a noirish anti-ballad fit to peal out in the closing slot at Twin Peaks' Roadhouse (circa season three). As much as the tracks teem with composition, musicianship, and production to savor, a sound like IE's has a soporific quality that soaks in unconsciously. It's an evocative portal where the band feel as if they could just play on each piece ad infinitum -- where the time itself seems to dislodge from its moorings.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
TENA 126EP
|
$22.50
PREORDER
RELEASE DATE: 5/9/2025
The Swiss have long been renowned for their commitment to high-quality craftsmanship, and Dachshund is no exception. A fixture in the underground scene, he has built a solid reputation with standout releases on Poker Flat, 8bit, Audiojack's Gruuv, and Rebellion, among others. His meticulous approach to sound design speaks volumes about his artistry, and now he is welcomed to the Tenampa roster. On remix duties, none other than Mihai Popoviciu, one of today's most respected and prolific producers who brings his signature touch to this release. This exclusive vinyl-only release on Tenampa Recordings features four tracks, limited to just 300 copies, with artwork by Mexican artist Stitch. This record is a must-have for any collector.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
NMR 014EP
|
$17.50
PREORDER
RELEASE DATE: 5/2/2025
Roberta's latest missive showcases her ability to craft a more immersive and jazz-forward EP while staying true to her reliable leaning towards a more-heady sound. Each track is an exercise in balancing the interplay between those two spaces. "Your Power" reveals a new complexity to her sound while evoking the sentimentality of her earlier productions. The EP closes out with a slow jam house groove that elevates as much as it captivates with its emotional melody and winding synths creating the perfect outro to her latest work, which implies her evolution as an artist is still slowly revealing itself.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BB 453LP
|
$26.00
PREORDER
RELEASE DATE: 5/2/2025
LP version. Fluoreszent is the new solo album by Cologne based artist Hans Nieswandt and his third for Hamburg's Bureau B label. Hans Nieswandt is a long standing and highly respected key figure in the music scene of Cologne, of Germany and beyond. As a pioneering DJ since the mid-eighties, as writer and editor for the mighty Spex magazine in the early nineties, and as a music producer, solo and with his group Whirlpool Productions, he helped shape the Sound Of Cologne from the mid-nineties onward. A lot of his musical work at that time took place in the studio owned by legendary band CAN. With his 12-year-running, weekly radio mix show 'Elektronische Melodien' on WDR (the Cologne radio station that built the first studio for electronic music in the 1950s) he suffused generations of listeners with cutting edge electronic music both old and new. Having left Germany to live in Seoul in late 2019, Hans Nieswandt suddenly found a lot of time to check back and immerse himself in all the forms of music that shaped him ever since he was a little glam rock kid in the early seventies -- before becoming a hippie boy, then a punk, then a house head. Now he is all these things rolled into one and the time has come for a proper, new solo album having released mainly collections of remixes, edits and cover versions over the last 20 years. Recorded in 2024 in Seoul, you will find on Fluoreszent ten shiny, fresh, joyous songs taking you to many wonderful places; from Kraut to goth, synth wave to art pop, cosmic to comic -- and all the way to the end of the rainbow. Important contributions came from unexpected sides: legendary German krautrock drummer Wolfgang Seidel gave him permission to use a lot of his beat recordings, a connection was made by Seoul-based German free music pioneer Alfred Harth, (who also took the album cover photo), more drums came from Philipp Janzen of the band Von Spar (who also did the final mix of the album) and the mastering is by Jörg Burger, another living legend of the Cologne electronic music scene. Housed in a cover designed by top illustrator Felix Reidenbach, Fluoreszent marks the happy return of one of Cologne's finest to the international stage.
|
viewing 1 To 25 of 35061 items
Next >>
|
|